Respighi Pines Of Rome & Fountains Of Rome - Reiner Chicago Symphony

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Respighi Pines Of Rome & Fountains Of Rome - Reiner Chicago Symphony HDTT15594

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WHEN YOU PURCHASE THE HIGHEST-PRICED DOWNLOAD OF THIS PRODUCT,
YOU WILL BE ABLE TO ACCESS ALL THE OTHER AVAILABLE FORMATS
THIS FEATURE IS INCLUDED WITH YOUR PURCHASE.

The RCA recording of Respighi's "Pines of Rome" and "Fountains of Rome" conducted by Fritz Reiner with the Chicago Symphony Orchestra is widely regarded as a classic and definitive interpretation of these orchestral masterpieces.
The recording quality, considering it was made in 1959, is remarkable. The sound is clear, detailed, and well-balanced, allowing listeners to appreciate the full richness of the orchestral textures and the nuances of the performances.

Artist(s): Conductor - Fritz Reiner
Orchestra - Chicago Symphony Orchestra
Recording Info: Recorded December 2-4, 1959 at Chicago Orchestra Hall
Producer – Richard Mohr
Engineer – Lewis Layton
Sourced from a 2-track tape
Analog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by a Antelope Audio 10MX Atomic Clock
Power Conditioning: Shunyata Research Everest 8000 for all components
Analog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp
Digital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock

Pines Of Rome

1 The Pines Of The Villa Borghese 4:00

2 The Pines Near A Catacomb 5:51

3 The Pines Of The Janiculum 5:13

4 The Pines Of The Appian Way 5:57

Fountains Of Rome

5 The Fountain Of Valle Giulia At Dawn 4:37

6 The Triton Fountain At Morn 2:24

7 The Fountain Of Trevi At Mid-day 6:22

8 The Villa Medici Fountain At Sunset 2:08

Please Note: This release was edited in DXD PCM from a DSD256 Master then the DXD edited master was used to generate the final DSD files using
Merging Technologies Album Publishing.
DXD (352.8KHz 24/32 bit PCM) is one of the best and least destructive formats for post-processing DSD-originated digital recordings

Copyright © & ℗ High Definition Tape Transfers 2024, including all compilation, transfer, remastering, and restoration aspects

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The sound is clear, detailed, and well-balanced, allowing listeners to appreciate the full richness of the orchestral textures and the nuances of the performances.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eArtist(s):\u003c\/strong\u003e Conductor - Fritz Reiner\u003cbr data-mce-fragment=\"1\"\u003eOrchestra - Chicago Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRecording Info: \u003c\/strong\u003eRecorded December 2-4, 1959 at Chicago \u003cspan data-mce-fragment=\"1\"\u003eOrchestra Hall\u003c\/span\u003e\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eProducer – Richard Mohr\u003cbr data-mce-fragment=\"1\"\u003eEngineer – Lewis Layton\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eSourced from a 2-track tape \u003cbr\u003eAnalog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp \u003cbr\u003eDigital: Merging Hapi Analog to Digital Converter clocked by a Antelope Audio 10MX Atomic Clock \u003cbr\u003ePower Conditioning: Shunyata Research Everest 8000 for all components\u003cbr data-mce-fragment=\"1\"\u003eAnalog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp\u003cbr data-mce-fragment=\"1\"\u003eDigital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003ePines Of Rome \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1 The Pines Of The Villa Borghese 4:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 The Pines Near A Catacomb 5:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 The Pines Of The Janiculum 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PURCHASE.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003eThe RCA recording of Respighi's \"Pines of Rome\" and \"Fountains of Rome\" conducted by Fritz Reiner with the Chicago Symphony Orchestra is widely regarded as a classic and definitive interpretation of these orchestral masterpieces. \u003cbr\u003eThe recording quality, considering it was made in 1959, is remarkable. The sound is clear, detailed, and well-balanced, allowing listeners to appreciate the full richness of the orchestral textures and the nuances of the performances.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eArtist(s):\u003c\/strong\u003e Conductor - Fritz Reiner\u003cbr data-mce-fragment=\"1\"\u003eOrchestra - Chicago Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRecording Info: \u003c\/strong\u003eRecorded December 2-4, 1959 at Chicago \u003cspan data-mce-fragment=\"1\"\u003eOrchestra Hall\u003c\/span\u003e\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eProducer – Richard Mohr\u003cbr data-mce-fragment=\"1\"\u003eEngineer – Lewis Layton\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eSourced from a 2-track tape \u003cbr\u003eAnalog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp \u003cbr\u003eDigital: Merging Hapi Analog to Digital Converter clocked by a Antelope Audio 10MX Atomic Clock \u003cbr\u003ePower Conditioning: Shunyata Research Everest 8000 for all components\u003cbr data-mce-fragment=\"1\"\u003eAnalog: Transferred using a modified Studer 810 tape deck feeding a Merrill Tape Preamp\u003cbr data-mce-fragment=\"1\"\u003eDigital: Merging Hapi Analog to Digital Converter clocked by an Antelope Audio 10MX Atomic Clock\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003ePines Of Rome \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1 The Pines Of The Villa Borghese 4:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 The Pines Near A Catacomb 5:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 The Pines Of The Janiculum 5:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4 The Pines Of The Appian Way 5:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFountains Of Rome \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 The Fountain Of Valle Giulia At Dawn 4:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 The Triton Fountain At Morn 2:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7 The Fountain Of Trevi At Mid-day 6:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8 The Villa Medici Fountain At Sunset 2:08\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg height=\"98\" width=\"110\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0778\/3319\/files\/dsd256_badge_480x480.png?v=1516987294\"\u003e\u003cbr\u003e\u003cstrong\u003ePlease Note: This release was edited in DXD PCM from a DSD256 Master then the DXD edited master was used to generate the final DSD files using\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eMerging Technologies Album Publishing.\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eDXD (352.8KHz 24\/32 bit PCM) is one of the best and least destructive formats for post-processing DSD-originated digital recordings\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eCopyright © \u0026amp; ℗ High Definition Tape Transfers 2024, including all compilation, transfer, remastering, and restoration aspects\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable width=\"664\" height=\"60\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0778\/3319\/files\/Respighi_Pines_Of_Rome_-_Fountains_Of_Rome_Reiner_Chicago_Symphony_Booklet.pdf?v=1713014203\" target=\"_blank\"\u003e\u003cimg width=\"229\" height=\"65\" style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0778\/3319\/files\/download_liner_notes_735eceed-201e-4f62-b888-d1fed8b53db5_medium.jpg?3217511782796413000\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/hdtt-samples.s3.amazonaws.com\/Respighi+Pines+Of+Rome+-++Fountains+Of+Rome++Reiner++Sample.flac\" target=\"_blank\" rel=\"noopener\"\u003e \u003cimg width=\"229\" height=\"65\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0778\/3319\/files\/download_Sample_24_96_ce2d27c7-5f84-4e02-8a32-ac81bd7164a7_medium.jpg?1320818084609747374\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/hdtt-samples.s3.amazonaws.com\/Handel%2BOvertures%2BRichter%2BLPO+sample.flac\" target=\"_blank\"\u003e \u003c\/a\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePlay Sample Tracks\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ciframe width=\"525\" height=\"341\" border=\"0\" src=\"https:\/\/hdtt-music-player.s3.amazonaws.com\/Respighi+Pines+%26+Fountains+Reiner+CSO\/audioplayer.html\" frameborder=\"0\" scrolling=\"no\"\u003e\u003c\/iframe\u003e"}