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Shostakovich Cello Sonata in D minor op.40 Daniel Shafran, Cello Lydia Pecherskaya, Piano 24/192 Includes all 4 tracks

Brahms Trio for Piano and Strings No 2 in C major, Op. 87 Graffman, Piano Senofsky, Violin Trepel, Cello 24/192 Includes all 4 tracks

Rachmaninov Symphony No.3 Paul Kletzki conducts the Suisse Romande Orchestra 24/96 Download

Brahms Piano Concerto No. 2 Mehta & Ashkenazy 4th movement 24/192 track purchase

Rachmaninov Symphony No.3 Paul Kletzki conducts the Suisse Romande Orchestra

Purcell Dido and Aeneas Oriana Concert Choir Alfred Deller Conductor Mary Thomas soprano Helen Watts alto Honor Sheppard soprano Maurice Bevan baritone

Mahler-Des Knaben Wunderhorn Baker and Evans vocals Wyn Morris conducts The LSO 6 tracks included 1)Revelge 2)Rheinlegendchen 3)Lied Des Verfolgten Im Turme 4)Wer Hat Dies Liedlein Erdacht 5) Lab Des Hohen Verstandes 6)Der Schildwache Nachtlied

Brahms Piano Concerto No. 2 Mehta & Ashkenazy 1st movement 24/96 track purchase

Brahms Trio for Piano and Strings No 2 in C major, Op. 87 Graffman, Piano Senofsky, Violin Trepel, Cello Includes all 4 tracks

 

Orchestral N-Z
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Richard Strauss Don Quixote and Also sprach Zarathustra Herbert Von Karajan conducts the Berlin Philharmonic Orchestra recorded live at The Salzburg Music Festival
Don Quixote Mstislav Rostropovich (Cello)· Ulrich Koch (Viola) Transferred from Live Radio Broadcast Tapes August 27, 1975
Also sprach Zarathustra, Op. 30 Michel Schwalbé (Violin)· David Bell (Organ) Transferred from Live Radio Broadcast Tapes August 27, 1979
Never before released performances of two of the great performers of the last Century. Recorded only months after Rostropovich was exiled from the Soviet Union. Von Karajan and the Berlin, there's not much to say but brilliant!!
Both the Also sprach Zarathustra and the Don Quixote have a level of excitement not found in studio recordings, Also as an extra bonus the sonics are very good. Don't miss out on these legendary recordings.

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Rafael Fruhbeck De Burgos Conducts the National Orchestra of Spain

Music of: Chapi · Sandizaga · Gimenez Chueca · Valverde · Luna · Vives · Serrano

"it is so hard to describe the music as I keep getting swept away and lost in its Latin beauty and excitement. For example in Paso's "Benamor" the melodies are so charming, the rhythms so exciting and the Latin percussion perfect. Every single delightful composition is a pure gem. The sound quality is extremely realistic, some of London's best and the high percussion is bright and clear and has a delicacy usually only heard live." Teresa Goodwin-Positive Feedback High End Audio Online Magazine Wimpy Player

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Offenbach Famous Overtures Hermen Scherchen conducts The Vienna State Opera Orch. Scherchen gives these famous overtures panache and verve. A rare Westminster reissue that was recorded perfectly for this music by the Westminster engineers the sound has a nice stereo spread.

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Orchestral Favorites Conducted by Hermann Scherchen Vienna State Opera Orchestra

Dukas - the Sorcerer's Apprentice Tchaikovsky's 1812 Overture Saint-Saens - Danse Macabre Falla - the Ritual Fire Dance Mussorgsky - Night on Bare Mountain

Scherchen Puts His Own Style to These Timeless War Horses, in Westminster's Usual Excellent Sound Wimpy Player

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Ravel Daphnis Et Chloe Charles Munch Boston Sym. Orch. (1961 Recording) Untitled Document
Formats Available:
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24bit 192khz Resolution Flac Downloads
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Richard Strauss Don Quixote Maazel conducts the Vienna Philharmonic
Emanuel Brabec (Cello) • Josef Starr (Viola)

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Introduction: ("Don Quixote loses his sanity after reading novels about knights, and decides to become a knight-errant")
Theme:("Don Quixote, knight of the sorrowful countenance")
Variation I:("Adventure at the Windmills")
Variation II:("The victorious struggle against the army of the great emperor Alifanfaron")
Variation III: ("Dialogue between Knight and Squire")
Variation IV: ("Unhappy adventure with a procession of pilgrims"),
Variation V: ("The knight's vigil")
Variation VI: ("The Meeting with Dulcinea")
Variation VII:("The Ride through the Air")
Variation VIII:("The Voyage in the Enchanted Boat")
Variation IX:("Battle with the magicians")
Variation X:("Two battles with the knights of the bright moon")
Finale:("Reflections to come" - Death of Don Quixote)


Richard Strauss Conducted by Otto Klemperer Philharmonia Orchestra Don Juan-Dance of The Seven Veils From-Salome-Till Eulenspiegel

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Rossini Overtures Peter Maag Conducting Paris Conservatorie Orchestra
William Tell · La Cenerentola · Semiramide · La Gazza Ladra Untitled Document
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Rimsky-Korsakoff Scheherazade Vienna State Opera Orchestra Hermann Scherchen Le Coq D'or Suite Erich Leinsdorf Boston Symphony Orchestra

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Untitled Document Click here to read Audiophile Auditions review of this release

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Sibelius Tempest Suites 1&2 and Scaramouche (Incidental Music)
Jussi Jalas conducting the Hungarian State Symphony Orchestra
Transferred from a London 4-track tape

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Strauss Waltzes Antal Dorati Conducts the London Philharmonic Orch. Transferred from a London Phase 4 Four Track Tape, Dorati gives very spirited performances. The Phase 4 Series sometimes had excessive multi-miking and gimmickry, but this is not present in this recording, one of the best Phase 4 Recordings we have heard.

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Stravinsky Jeu de Cartes & Symphony in 3 Movements

Jeu de Cartes Charles Munch leads the Boston Symphony Orchestra,
Transferred from an RCA 4-track tape the performance
is exemplary as is the recording one of the definitive versions of this work

Symphony in 3 Movements Sir Charles Goosens conducts The London Symphony Orchestra
Transferred from a Everest 2-track tape as in the Jeu de Cartes Goosens shines in this interpretation also.
The sound afforded by Everest is unquestionably one of the there best.

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Stravinsky Rite of Spring and Firebird Suite Conducted by Pierre Monteux Paris Conservatoire Orch. Untitled Document

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Bob Neill Positive Feedback Online Audio Magazine

This recording is better than it sounds! On first hearing. Especially compared with the more lush and beautiful Firebird. What Monteux and RCA get across in this performance and recording is the crisp, raw passion of the music that is often subdued a little in more refined approaches. It took me two hearings to appreciate how good it is. Instruments are separated so effectively and the acoustic is so dry that it often seems we are listening to a chamber rather than a full orchestra. Even when strings play together, they barely seem to blend. Presence and immediacy are stunning. This is The Rite at its incisively brilliant best. Don't sit too close. by Bob Neill Positive Feedback Online

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Stravinsky Firebird & Petrushka Leopold Stokowski Berlin Philharmonic Orchestra

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Tchaikovsky Francesca da Rimini and Hamlet Overture Leopold Stokowski Conducts the Stadium Symphony Orchestra of New York - Serenade for Strings Charles Munch conducts the Strings of the Boston Symphony

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Wagner Die Meistersinger•Tannhäuser Overture • Parsifal Prelude and Triston & Isolde Prelude plus Parsifal rehearsal excerpt Hans Knappertsbusch Munich Philharmonic Orchestra

Transferred from a Westminster 4-Track tape. Knappertsbusch one of the true Wagnerians really gets beautiful playing by the Munich players, also as an extra bonus a reheasal segment is included.

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Wagner music Leopold Stokowski Conducts the Symphony of the Air & Chorus Tannhauser Overture and Venusberg Music Tristan and Isolde Prelude to Act III Das Rheingold Entrance of the Gods Into Valhalla Untitled Document
Formats Available:
Compact Disc
Burned on a Gold CD-R
HQCD (High Quality Compact Disc)
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24bit 96khz Resolution DVD Playable on all DVD players
24bit 96khz Resolution Flac Downloads
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Walton's Façade and Charles Alexandre Lecocq's Mamzelle Angot Antole Fistoulari conducts the Royal Opera House Orchestra, Covent Garden

This RCA Living Stereo recording, one of the best audiophile recordings finally transferred to a digital format. Facade remains in the repertory of the Royal Ballet, and it has been one of the company's steady successes since 1935. The curious thing is that Walton's spoofing score was greeted with yells of opposition when it was originally introduced in 1922. At that time there was no idea that it ever would be made into a ballet. The light ballet has always been among the most popular of genres, and more than any other form of ballet it is dependent upon its musical score. Some serious ballets have achieved acclaim even though set to music that simply will not stand up independently in the concert hall. But a light ballet without a tuneful, agreeable, sophisticated score is unthinkable and it is no mere coincidence that such compilations as Gaite Parisienne, La Boutique Fantasque, Graduation Ball, the Facade and Mamzelle Angot are very much among them.


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